001. you must be of age as well to plot with me. do not expect me to always be available, work will prevent me from being there at times. thus, please do not rush me or poke me under any circumstance. i don't do so and i expect you not to, as i'm aware of my plots at all times. remain respectful with me regardless.
002. I strictly only write in the third pov. Regarding length, I tend to go with the flow. If the scene requires multi para, I don't mind doing so. If it's dialogue-heavy, I would shorten. I do not believe in mirroring, most of the time. contact is primarily on discord at the moment, you may ask for my handle in pms.
CARAX.
USERNAME
ULTRAVIOLENCENICKNAMES
NOAH, CARAXPRONOUNS
THEY/THEMDATE OF BIRTH
FEB 20TH, 01TIMEZONE
GMT+3, ACTS A MINUS
EDUCATION : BACHELOR'S IN LITERATURE & LINGUISTICS
INTERESTS : LITERATURE, GRAPHIC DESIGN, PSYCHOANALYSIS, PHILOSOPHY, HISTORY, LINGUISTICS, PHONETICS, PROGRAMMING
❝THE GENTLENESS THAT COMES, NOT FROM THE ABSENCE OF VIOLENCE— BUT DESPITE THE ABUNDANCE OF IT.❞
SPECIFICS : CLASSICS, CONTEMPORARY THRILLERS, ANCIENT THROUGH MODERN PHILOSOPHY & POETRY, RELUCTANT ON POST-MODERN FOR BOTH. NIHILISM, EXISTENTIALISM AND ABSURDISM. GOTHIC FICTION, STOICISM, ROMANTICISM, MOTHER COMPLEXES, ORIGINS OF VIOLENCE, JUNGIAN ARCHETYPES, OCCULT STUDIESTO RESEARCH INTO: INTERPRETATION OF DREAMS, VIDEO GAMES AS STORY-TELLING MEDIUM, HYPNOSIS , PSEUDOSCIENCES
— "THE OTHER SIDE" BY DEAN CORNWELLFAVOURITE BOOKS
M. L. RIO'S IF WE WERE VILLAINS, FITZGERALD'S THE GREAT GATSBY, POE'S THE TELL-TALE HEART, WILDE'S THE PICTURE OF DORIAN GRAY, Zafón'S The Shadow of the Wind, KAFKA'S LETTERS TO MILENA, FLYNN'S SHARP OBJECTS, SIKEN'S CRUSHCURRENT HYPERFIXATIONS
TAMINO'S AMIR, SHAKESPEARE'S HAMLET, HOZIER'S UNREAL UNEARTH, RADIOHEAD'S OK COMPUTER, DEFTONES' PASSENGER
MUSES
hwang hyunjin
cha eunwoo
lee felix
choi yeonjun
kim mingyu
choi san